My cheeks burned. I bent, perhaps a little too abruptly, to examine the drawing. My niece, Maya, had painstakingly colored a creature with shimmering scales and a long, flowing tail, perched atop a stack of brightly colored books. The creature, it appeared, was reading. A creature that, I knew with a chilling certainty, was Seraphina, the sea serpent I'd invented to help me conquer my fear of the ocean. My face felt hot.

"She’s very clever, isn’t she, Auntie?" Maya asked, beaming.

I cleared my throat. The room seemed to shrink, the walls closing in. “Yes, yes, very clever," I managed, the words catching in my throat. I glanced around, seeking a way to divert attention, and my gaze fell upon the open art supplies on the table.

“Why don’t we try painting with watercolors instead?" I blurted, my tone overly enthusiastic. I grabbed a brush, my fingers fumbling with the tube of paint. I had to change the subject, fast. The air felt thick, difficult to breathe. I opened the watercolor box and made a show of squeezing a blob of blue paint onto a palette, trying to appear composed.

Emotion: mortified

Cluster: Embarrassment
PC1 (Valence): -1.36 Negative
PC2 (Disposition): 0.79

Role in Research

This story is one of 1,000 stories generated for the emotion mortified. During extraction, it was fed through Gemma4-31B and its hidden state activations were captured at 11 layers.

The mean activation across all 1,000 mortified stories, after denoising with neutral dialogue baselines, produces the mortified emotion vector -- a direction in the model's 5,376-dimensional representation space.

Logit Lens (Layer 40)

Tokens promoted/suppressed when the mortified vector is projected through the unembedding matrix.

Promoted:
l0.406
尴尬0.257
C0.252
worse0.245
0.242
Suppressed:
own-0.340
了他-0.218
他对-0.203
-0.194
楽し-0.193